Posts with tag Berlin
Marge Monko – Flawless Seamless
In her work the artist reflects critically on gender roles and visual clichés using images, films, objects, collages and various modes of display. She makes…
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Jose Dàvila
Over the course of a career spanning more than 20 years, Guadalajara-based Jose Dávila has engaged with the architecture, symbolism, and material integration of space.…
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Kapwani Kiwanga – Under the cover of darkness
The show presents different bodies of works by the artist, which examine racialized surveillance and controlling policies, as such as her in depth interrogation of…
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Daniel Steegmann Mangrané
Daniel Steegmann Mangrané’s practice encompasses a wide range of media, including film, sculpture, sound, gardens and drawing.
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moving is in every direction
The exhibition “moving is in every direction. Environments – Installations – Narrative Spaces” traces the history of installation art from the 1960s until today, with…
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James Hoff
In Like Insects Smacking Themselves Senseless Against a Screen at Night to Get to the Light Inside – a quote taken from an 80s book…
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Paul Maheke – In Me Everything is Already Flowing
For his first solo exhibition in Berlin, Paul Maheke quotes philosopher Luce Irigaray “In me everything is already flowing,” as it appears in Astrida Neimanis’…
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Dan Attoe
Dan Attoe’s paintings depict natural wonders—waterfalls, beaches, mountains, rocky cliffs, over-sized forests—populated by tiny figures spouting even tinier diaristic missives, painted in silver and culled…
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Saloon under the bridge #1
The exhibition Saloon under the bridge #1 is a one day event held at in a Renault Clio car, parked at U2 Gleisdreieck in Berlin-Schöneberg.
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MAIK Alles Gute – Wenik
The art-collective MAIK Alles Gute presented a real-time sauna experience in Heit Berlin, that brings you closer to the realm of the service industry.
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Jochen Lempert at Between Bridges
Following on from and in loose relation to Anders Clausen’s exhibition, Between Bridges presents Jochen Lempert’s first solo exhibition in Berlin since 1993. In Clausen’s…
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