Lives in Berlin
How do you describe your own art practice?
Through the formats of the exhibition, the archive, the reading, the edition or the lecture-performance I’m interested in the representation of historical events. It usually all starts with an image (textual or visual), which leads to a long process of reading it, finding it, questioning it, re-captioning it before reconstructing parts of this captured “moment”. Finally, and despite the fact that my process has a strong iconographic background, this image dissolves within a sculpture or an installation, believing in the form containing disputing narratives and voices.
What was your first experience with art?
While music was always in the background as a child, I do remember quite well a visit to the Stedelijk Museum as 4-5 year old, the exhibition spaces stuck in my mind. So my first experience with (visual) art is primarily as an exhibition-goer, looking at a lot of art as a child and building my own art history through that.
What is your greatest source of inspiration?
I like the idea of stumbling repeatedly upon something more than inspiration. Yet travels, the desert, architecture, literature, language and music often bring me somewhere often unexpected.
What do you need in order to create your work?
Time and space, a great deal of solitude, and long-term dialogues with peers.
What are you working on at the moment?
I’m completing an installation that investigates the early collection of photography at the Smithsonian in DC. While in their archives working on another piece three years ago, I stumbled upon four boxes of unorganised cyanotypes taken by the first curator for photography. The work reconstructs parts of the first exhibition they made, and relates to a wider question on a national collection today, the notion of the capturing an image as a historical event and collecting at wide. The installation will find a form in a new book next year, 4 years after first engaging with it. And a LP of spoken words should come out soon too.
What work or artist has most recently surprised you?
Vivian Suter pavilion at Documenta 14. Magical. Real. Overwhelming.