Artist(s) Robert Irwin
Venue Hirshhorn Museum and Sculpture Garden
The exhibition, whose title is drawn from the artist’s writings, consists of two parts. A historical survey chronicles the period from 1958 to 1970, during which Irwin moved from making small-scale abstract paintings to large acrylic discs and columns, before eventually abandoning working in a studio in favor of producing ephemeral installations of modest, unconventional materials, each made in response to the circumstances of a given site. The exhibition culminates in a major new commission in the Hirshhorn’s galleries, where Irwin will create an immersive installation in response to the museum’s distinctive architecture using what has become his signature medium, scrim.