The Traces project places the spectator in the position of witness to a ‘spectacle’, one built with visual traces, where the mechanization of movement and transport are protagonists in spaces where loneliness and homogeneity are accentuated.
An overabundance of perspectives and points of view makes the distinction between reality and fiction increasingly tenuous, as this project unfolds within that foggy and blurry borderline. The role of author is also the role of painter, photographer or editor.






