With a focus on elements such as artefacts, construction sites, and the semiotics of our contemporary needs and aspirations, she uses a conceptual and sentimental, yet subtle way of presentation to explore the nature and dilemma of development, to emphasize the deception from false promises, as well as the emotional loss of people in the urban context.
Concerned with the impact of our surroundings, many of Ko Sin Tung’s work involved different scales of spatial experiments – she once confused the audiences by imitating the drywalls to form a temporary state; she transformed a bunker into a cleanroom-like space that challenge our concepts of cleanliness and protection; several neon signs are being hanged in the storefront with the text opposing their own behaviors; a number of fluorescent tubes are dropped by the artist herself, then re-installed on the walls to become the only light source of the exhibition. With these immersive attempts, Ko Sin Tung continues to test, therefore, refreshing our recognition of the spaces we previously encountered.

Stickers, road sign, G-clamps
52 cm x 36 cm x 32 cm
2019

Dust and trivial matters, solo exhibition at The Bunker, Beijing, 2019

Absent store, solo exhibition at Holy Motors, Hong Kong, 2016

Dust and trivial matters, solo exhibition at The Bunker, Beijing, 2019

Enamel paint, acrylic, digital print on aluminium plate
88 cm x 99 cm
2017

Double-channel video
7 min 50 sec, HD, colour, no sound
2017

Adaptation, solo exhibition at Edouard Malingue Gallery, Hong Kong, 2019

Oil on offset prints, offset prints, tarpaulin, fabric adhesive tape
Dimensions variable
2016

Oil on offset prints, offset prints, tarpaulin, fabric adhesive tape
Dimensions variable
2016

Acrylic, archival inkjet print on canvas, plastic sheet, polyethylene foam
150 cm x 111 cm
2019