Features

Jayce Salloum

As if an itinerant geographer, Jayce Salloum observes the world and creates a subjective archive of images that he either gleans or produces.

All images Courtesy of MKG127. Photo: Toni Hafkenscheid

He tends to go only where he is invited or where there is an intrinsic affinity, his projects being rooted in an intimate engagement with place. A grandson of Syrian immigrants he was born and raised on Sylix (Okanagan) territory in Kelowna, BC. After 22 years living and working in San Francisco, Banff, Toronto, San Diego, Beirut, and New York he has been based on the unceded Xwmetskwíyem/xʷməθkʷey̓əm (Musqueam), Sḵwx̱wú7mesh/sqʷx̌ʷoʔməx (Squamish) + Selíl̓witulh/səíl̓wətaʔł (Tsleil-Waututh) land of ‘Vancouver’ for 23 years. His videotapes, photographs, installations, and other cultural projects engage the personal/subjective, reconfiguring notions of identity, community, history, boundaries, exile, (trans/inter/intra)nationalism and resistance. His work has involved production and facilitation in many locales including Afghanistan, Lebanon, Palestine, the former Yugoslavia, Europa, San Francisco, San Diego, New York, Central America, Mexico, Columbia, Ecuador, Kamloops, Kelowna, Cumberland House, Vancouver, Aotearoa, Shanghai, Hong Kong, Philippines and Australia. He has exhibited pervasively at the widest range of local and international venues possible, from the smallest unnamed storefronts in his downtown eastside Vancouver neighbourhood to institutions such as the Musée du Louvre, Museum of Modern Art, Guggenheim Museum, Centre Georges Pompidou, National Gallery of Canada, Bienal De La Havana, Sharjah Biennial, Biennale of Sydney and the Rotterdam International Film Festival.

You may also like