All images Courtesy by the artist
Applying a semi-archeological methodology, his practice explores, encodes, and hacks the structural language of video games, software, social media and machine learning, treating them as subject matter and medium.
His work has been exhibited in solo exhibitions at the Whitney Museum, New York; Carnegie Museum of Art, Pittsburgh; Barbican Art Center, London; Reykjavik Art Museum, Iceland; Hamburger Bahnhof, Berlin; and Museum of Contemporary Art, Miami and the Migros Museum für Gegenwartskunst in Zürich.
3- (blk), 2020
IQDemy Premium UV ink on IKEA LINNMON table tops
118 1/8 x 206 5/8 x 1 1/2 inches (300 x 525 x 4 cm)
Courtesy the artist and Greene Naftali, New York.
Photo: Zeshan Ahmed
Installation view, Pro Tools
Whitney Museum of Art, New York, 2011
Courtesy the artist and Greene Naftali, New York.
Bomb Iraq, 2005
Macintosh OS9 operating system, and Hyper Card program
Dimensions variable
Courtesy the artist and Greene Naftali, New York.
Totally Fucked, 2003
Handmade hacked Super Mario Bros. cartridge, Nintendo NES video game system, artist software.
Dimensions variable
Courtesy the artist and Greene Naftali, New York.
Destroyed Jeans, 2018
Vinyl prints onto 8 hanging banners
Installation view, Sharjah Biennial: Leaving the Echo Chamber, Sharjah, UAE, 2019
Courtesy the artist and Greene Naftali, New York.
Sorry I Haven't Posted, 2010
Screenshot from website
Courtesy the artist and Greene Naftali, New York.
𝓌𝑒 𝒹𝑒𝓁𝒾𝓋𝑒𝓇 / 𝓉𝒽𝑒 𝓀𝒾𝓃𝑔 c𝒽𝑒𝒸𝓀𝑒𝒹 𝒷𝓎 𝓉𝒽𝑒 𝓆𝓊𝑒𝑒𝓃, 2020
Dual-channel screen recording of a live bot performance on Instagram, February 26, 2020
Dimensions variable
Courtesy the artist and Greene Naftali, New York.
Boutique / Lakes, 2014
1920x1080 H.264/MPEG-4 Part 10 looped digital file (from lossless Quicktime Animation master), media player, 65–75” flatscreen, armature, various cables
Dimensions variable
Courtesy the artist and Greene Naftali, New York.
