Artists Laure Prouvost
Venue Witte de With Center for Contemporary Art
Photography Kristien Daem
The latter mis-translates fellow artist Rory Macbeth’s mistranslation of a Kafka novella from German with no knowledge of the language or a dictionary. In the ‘wet sequence’ section of the film we follow the progress of Gregor, a tortured writer daubing paper with squid ink; a novel in the making, a mind unraveling, time stalled, distended, and looping.
Prouvost’s installation transforms the ground floor of Witte de With into a sodden sub-aqueous bar, laced with squid ink and dotted with vodka fountains. Plays of projected light cast over objects intensify intoxicatedly as day moves to night. Combining sculpture, video and sound, the form of a mundane high street commercial space is defamiliarized and shot through with a Kafkaesque narrative overlay that metamorphoses literature into space, film into sculpture. Here language is as slippery as a squid, function as deceitful as fiction.
the wet wet wanderer follows previous works in Prouvost’s oeuvre in building an immersive installation with which to frame audio and film works. These set an encompassing mood and wrong-foot interpretation, seducing and provoking the viewer to become an active part of the fictions she concocts. Here, wetness is the central theme in a melancholic and visceral space of rain, water, fish tanks and the body of the squid. In our protagonist Gregor the trope of the tortured alcoholic writer and doomed lover is absurdly magnified to melodramatic proportions. The figure of the squid, a primordial creature that simultaneously embodies both pulpy disgust and aquiline beauty; twin bodily affects engendered by the work. The squid has long been a fascination to Prouvost as a creature whose highly developed consciousness precedes our own by millions of years; here the sea as the birthplace of the mind cues the complexity of the act of creation.
Para | Fictions
the wet wet wanderer is presented as part of Para | Fictions, a cycle of sustained investigations taking as its focus the relationship between literature and visual art through the practice of ten artists; Daniel Dewar & Grégory Gicquel, Calla Henkel & Max Pitegoff, Mark Geffriaud, Laure Prouvost, Oscar Santillan, Dineo Seshee Bopape, Lucy Skaer and Rayyane Tabet.
Each project on display presents a different artistic methodology, constituting a combination of each artist’s visual interests and literary underpinnings, to seek the viability of repositioning ‘reference’ as ‘form’, ‘translation’ as ‘co-authorship’.
